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Archive for the ‘HoH’ Category

In Order to Control

The interactive typographic installation titled In Order to Control features a constant loop of selected text about “the threshold [of] ethics and morality” projected on the ground. (You can read the full transcript of the projection here.) The most interesting thing about the project is the interactivity and its reliance on audience participation. As spectators step into the installation to read the projected content, their blackened silhouette covers the words on the floor and transfers them to the proximate wall.

 

 

One could marvel at this technological magic trick for a very long time, especially since there’s still scrolling text to be read. In order to actually read the text, one could technically run back and forth across the screen but it seems far more convenient to form an assembly of people, standing in tandem, eliminating spaces in which words can get lost.
This interactive element also alludes to the idea of interconnectivity and how we can all help each other, sharing information.

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About LaNua:

We focus on movement and choreography in various contexts – research, performance and across art forms.

We develop performance projects that explore the boundaries of choreographic practice in dialogue with other art forms while exploring alternative spaces, and interaction with objects, video, sound, and text.

Have a look here

Performances Royal Botanic Gardens Sat 3 noon and Sun 4 Nov 2012 noon + 2.45 pm

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Let Loose

As a way to develop the work from Let Loose  I am looking into text based art practise.

During the project, we experienced new dance at Dancebase as it was developing.  We were surprise by the amount of spoken word used in dance and this was inaccessible to the group.  Practical solutions were found and this has opened an exciting area for exploration.

In the next project, we plan to explore collaborative ways of working with participants with hearing loss.  Text will be integrated throughout the development of a performance, not added at the end as captions.  The resulting work will be developed through accessible collaboration.  Participation, not access, will be the experience for all involved.

To develop the project idea, we are planning a series of creative labs.  How could we communicate within the labs?  The instruction-based performances of this years Forest Fringe and the work of Abigail Conway are perhaps a starting point .  See also Nothing About Us Without Us, a public art event using obsolete technology to hurl language across the River Clyde

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The Hearing Test

The Hearing Test is a developing online residency between the composer and writer Ailís Ní Ríain and the creative technologist and artist Andrea Pazos. Both artists are hearing impaired and have been using their personal experience of hearing loss to develop this new web-based art project which asks users to take an online hearing test with a difference while questioning their perception of hearing impairment and deafness in contemporary life.

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Christina Kubish

Works with Electromagnetic Induction

Toward the end of the 1970s, I used the system of electromagnetic induction for my sound installations for the first time. As a principle of acoustic transmission, it is based on the sounds resulting from the mutual interaction of magnetic fields. These fields arise on the one hand from electrical wires traversing the room, in which sounds circulate, and on the other from headphones with magnetic coils, which I developed myself. This system, which I have constantly further developed technically and artistically, was the starting point for numerous sound installations realized all over the world since 1980. The basic idea of these sound spaces is to provide the viewer/listener access to his own individual spaces of time and motion. The musical sequences are experiencable in ever-new variations through the listener’s motion. The visitor becomes a “mixer” who can put his piece together individually and determine the time frame for himself.

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links for 2011-08-12

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